Chalk and Flags, 10″x23″x23″, 2013
Outdoor installation view of the Hedonic Map at Co-Lab Projects. Images by Linsday Hutchens.
Installation view of multiple pieces of architectural sculpture in concrete, plaster, wood and paper, shown here 5?x40?x30?, 1999
A study of Roman architecture and how these proportions relate to social dynamics. Arches of two circle geometry represent feelings of inclusion or being overpowered. Three sphere geometrical architecture recalls the Trinity, the masculine nature of the religious is buying tramadol online legal architecture. Like the ruins, the floor plans and geometry are more visible as the structures deteriorate, revealing the inherent dynamics within the structure.
Installation of Yellow Emphatic, Quattro Blue Steel Rendering, Yellow Emphatic Painted with Oomph, and Quattro Blue, with original sculpey shapes, collaboration with Todd Campbell for forged work
Energy Triptych, enamel on stainless steel, 57″x20″x2″ each, 2009
Triangulated Spheres, owdercoated and painted steel, installation dimensions vary, area shown here 60?x80?x5?, 2009
Detail view, largest sphere 5? diameter
Created simultaneously with Energy, Triangulated Spheres came from a psychological influence—family dynamics, with a pattern generated by two primary how to buy tramadol online “mates” and two offspring. The pattern regenerates along a mathematical principal, or not, as space and borders allow.
Wayfinding, installation view of 102′ long hall, with Morgann Berg viewing the piece.
Installed at the AT&T Courtyard Gallery as part of the Visual Art Center’s Exhibitions through The University of Texas at Austin.
Solo exhibition: May 13 – August 27, 2010
Chenoweth’s flowing three-dimensional wall installation is inspired by the four elements: earth, water, air and fire. She has created a unique topography how to get tramadol online utilizing the lengthy, traveling space of the gallery in a way that has not yet been explored. Chenoweth’s methods and process for this piece include ink drawings on rice paper, torch-cut metal, dripped paint, and repeating spiraling cones in cast plaster.
Curated by Jade Walker, Visual Arts Center, Department of Art and Art History, The University of Texas at Austin.
Booth view of Art City Austin, kids shooting waterguns with pigment at wall of plaster balloons