Temples of Flesh
- Oil on panel, 8″x6″x2″, 2011
- Oil on panel, 8″x6″x2″, 2011
- Oil on panel, 10″x8″x2″, 2011
- Oil on panel, 8″x6″x2″, 2011
- Oil on panel, 8″x6″x2″, 2011
- Oil on panel, 16″x12″x2″, 2011
Glazed Drip +
Glazed Drip, oil on panel, 60″x60″x1″, 2006
Jesus Poodle, oil on panel, 15″x115″, 2006
Creative Research Lab, “Few, Some, Many, More” installation
Installation of Yellow Emphatic, Quattro Blue Steel Rendering, Yellow Emphatic Painted with Oomph, and Quattro Blue, with original sculpey shapes, collaboration with Todd Campbell for forged work
Radiant Series
Energy
Energy Triptych, enamel on stainless steel, 57″x20″x2″ each, 2009
Triangulated Spheres, owdercoated and painted steel, installation dimensions vary, area shown here 60?x80?x5?, 2009
Detail view, largest sphere 5? diameter
Created simultaneously with Energy, Triangulated Spheres came from a psychological influence—family dynamics, with a pattern generated by two primary how to buy tramadol online “mates” and two offspring. The pattern regenerates along a mathematical principal, or not, as space and borders allow.
The Last of the Cherry Blossom
Painting and wall sculpture, oil on panel, 46″x46″x2″, oil on six steel hemispheres, 4″, 5″, and 8″ diameter, 2009
Drawn from a quote from David Mitchell, “The last of the cherry blossom… when it’s perfect, it falls….So it’s only absolutely perfect when it’s falling through the air, this way and that, for the briefest time…” A shadow created cheap tramadol online within the two-dimensional painting plane brings the path of the blossom into the viewer’s space, while the representational form in the background serves as a specific response.
Shine and Burn
This series of artworks showed at the Decorazon Gallery in Dallas in various exhibits.
Organic: Show at Dougherty Art Center 2005
