Four Gates at Austin City Hall 2013-2015 Catalog

Four Gates

 

Steel, wood, ink, chalk, hardware, 98″ x 120″ x 120″

Read my writing about the process of making the Four Gates:

Planning the piece

Getting the wood base cut

My inspiration for the sculpture Four Gates is from Mark Helprin’s novel The Winter’s Tale.

There is a short chapter at the end of the first third of the book, page 219, titled Four Gates. Here is an excerpt from the chapter:

“To enter a city intact it is necessary to pass through one of the new gates. They are far more difficult to find than their solid predecessors, for they are tests, mechanisms, devices, and implementations of justice. There once was a map, now long gone, one of the ancient charts upon which colorful animals sleep or rage. Those who saw it said that in its illuminations were figures and symbols of the gates. The east gate was that of acceptance of responsibility, the south gate that of the desire to explore, the west gate that of devotion to beauty, and the north gate that of selfless love.

The steel circles have four different diameters, 78″, 84″, 90″, and 96″ so that four different average sized adults can stand in the circles and expand the geometry of their reach to their biggest selves, as in Vitruvius’ drawing.  I inscribed on each of the four gates a section of the sentence above.  After conversations with friends, I chose the North Gate, that of selfless love, to be the largest. The largest and the smallest are opposite each other, and the two middle sized are opposite each other. When four people expand themselves inside the circles, they create a sculptural human community.

This sculpture was the focal point of the show. The “Four Gates Drawings” were made from these circles laying down on paper.

 

Four Gates from the East
Four Gates from the East
Sacred Space at the Dougherty Art Center
Four Gates from the West
Large Metal Circular Sculptures Installed
Photo by Ricardo B. Brazziell
Liana Putrino, Megan McIlwain and Katy Hirschfield in the gate of beauty sculpture, Sacred Space Art Party
Liana Putrino, Megan McIlwain and Katy Hirschfield in the gate of beauty, of course
Bright blue exterior of Full Bloom sculpture 2013-2015 Catalog

Full Bloom

paint on steel, concrete, 48″ x 62″ x 62″, 2013

Full Bloom is about the intensity of the compacted self. It is a mini temple for one person. It has a painting on the outside of the dome and another on the inside of the dome. The space is small, so only smaller adults or children might have the idea to go under it, so the inside is meant to be a surprise for the curious. Full Bloom has two different shapes painted on it in repeating patterns, “I Am Free” and “Beautiful Mess”. It is made from one 37″ diameter steel hemisphere with four 12″ hemispheres attached to the sides at an angle. The steel domes sit on top of four concrete columns made of stacked cylinders of concrete.

Full Bloom Inside
Underneath, looking up

 

 

Full Bloom and Drawings
Full Bloom and Drawings at the Dougherty Art Center

 

 

Full Bloom and Circle Walk Drawing
Under Full Bloom and Circle Walk Drawing

 

Looking down on top of Shining Apollo sculpture 2013-2015 Catalog

Shining Apollo, Descending Apollo

Shining Apollo: paint and patina on steel, concrete, 92″ x 88″ x 88″, 2013

Descending Apollo: the drop from the dome, paint and patina on steel, 60″ x 60″ x 6″, 2013

Sculpture as a tribute to the sun. The shape was chosen by making many quick ink drawings to find dynamic shape that worked well in circular composition.

Click on this post to see the process of making Shining Apollo.

 

 

 

 

 

photo by Melissa Bartling

Larger gallery view of Fire Ring sculpture hung from ceiling above Fire Ring sculpture on the floor of the gallery 2011-2012 Catalog

Fire Ring

Fire Ring Room View

oil on aluminum, 60″ diameter x 14″ sits on floor, and one 14″ x 34″ x 54″ hanging, 2012

From the drops of Reach and Revive. Shown here with decorations for the Umlauf Sculpture Garden Party.

Fire Ring Ceiling Fire Ring Floor Fire Ring before install

Side view of Hemisphere sculptures, hanging on gallery wall 2013-2015 Catalog

Group of Hemispheres

Hemispheres installed at the Dougherty Art Center solo show Sacred Space, and in other shows and events.

Steel hemispheres plasma cut marks and paintings and drawings on the surfaces. Sizes range from 1.5″ to 12″
Contact for sizing information for specific pieces.

 

Hemispheres Side View
photo by Paul Bardagjy
2013-2015 Catalog

I Am The Cosmos

 

mixed media on steel spheres, diameter varies from 12″ to 2″

 

I Am The Cosmos
Photo by Paul Bardagjy
I am the Cosmos, Rose Planet Hemisphere sculpture, hanging from gallery wall
I Am the Cosmos, detail
I Am The Cosmos, Eclipse Hemisphere sculpture, hanging from gallery wall
I Am the Cosmos, detail
I Am The Cosmos, Ink on Rust Hemisphere sculpture, hanging from gallery wall
I Am the Cosmos, detail
I Am The Cosmos Cold Planet
I Am The Cosmos Detail of Cold Planet

Planet like installation of steel spheres, using diverse techniques of drawing into the steel with a plasma cutter; drawing on the surface with different paints, chalks, and charcoals; etching the surface of the steel with various chemicals and patinas; all in fun and playfulness while I worked more strategically on bigger pieces. I am the cosmos, you are the cosmos, we are all part of the cosmos.

Metal Liberated Apollo sculpture Writings

Shining and Descending Apollo, Process

Apollo Drawings
Apollo Drawings

Apollo, the sun god, son of Leto and Zeus–god of light and the sun, truth and prophecy, healing, plague, music, and poetry; leader of the muses. In my cosmology, all hell and heaven are within me, while I am alive in this body in this time and place on earth. In the Greek cosmology, all the prototypes are externalized and personified.  My friend Dianna often says, though I think she might have picked it up from Walter, that looking at love is like looking at the sun. Certainly, with the coming solistice and hot heat of summer in Austin, the sun god is upon us.

This piece began with a 72″ diameter 1/4″ thick steel dish, that I wanted to be my own personal sacred space, a mini temple of adoration and concentration. So I started with many, many ink drawings composed within a circle and thought about what was right for this piece.

Then I projected and made a stencil for the shape that I chose. I chose the shape based on an iconographic symbol that was continuous–it also need to extract mass from the steel dish and use it as a positive shape and which will create two related pieces. The shape had to work compositionally within a circle at every view point and have no “up” or “down” orientation.

I was delighted with the drawing onto the steel, and more so once I started plasma-cutting the shape out.  It took an astonishing amount of time to cut the shape out of the steel, and then to hammer and wedge the shapes apart. I really liked the burnt edges of the spray painted stencil. In the process I saw the shape separated and liberated from its original material, and become an independent positive shape with its own expression and identity.

Shining Apollo will be a dome that sits on 4 steel columns 6’6″ off the ground. Descending Apollo will hover, just off the ground, suspended from it center point – spinning, free, and ready.

Cutting Apollo
Cutting Apollo

I am so excited to share these works with you at my upcoming show in June at the Dougherty.

Liberated Apollo
Liberated Apollo

Stencil spray painted onto steel of ApolloStencil spray painted onto steel of Apollo

Stencil Apollo
Stencil Apollo

 

Hymn of Apollo, by Percy Bysshe Shelley

I.
The sleepless Hours who watch me as I lie,
Curtained with star-inwoven tapestries,
From the broad moonlight of the sky,
Fanning the busy dreams from my dim eyes,–
Waken me when their Mother, the gray Dawn,
Tells them that dreams and that the moon is gone.

II.
Then I arise, and climbing Heaven’s blue dome,
I walk over the mountains and the waves,
Leaving my robe upon the ocean foam;
My footsteps pave the clouds with fire; the caves
Are filled with my bright presence, and the air
Leaves the green Earth to my embraces bare.

III.
The sunbeams are my shafts, with which I kill
Deceit, that loves the night and fears the day;
All men who do or even imagine ill
Fly me, and from the glory of my ray
Good minds and open actions take new might,
Until diminished by the reign of Night.

IV.
I feed the clouds, the rainbows, and the flowers,
With their ethereal colors; the Moon’s globe,
And the pure stars in their eternal bowers,
Are cinctured with my power as with a robe;
Whatever lamps on Earth or Heaven may shine,
Are portions of one power, which is mine.

V.
I stand at noon upon the peak of Heaven;
Then with unwilling steps I wander down
Into the clouds of the Atlantic even;
For grief that I depart they weep and frown:
What look is more delightful than the smile
With which I soothe them from the western isle?

VI.
I am the eye with which the Universe
Beholds itself, and knows it is divine;
All harmony of instrument or verse,
All prophecy, all medicine, is mine,
All light of art or nature; – to my song
Victory and praise in its own right belong.

Abacus at Austin City Hall, photo by Norman Hera Shows

The People’s Gallery at Austin City Hall 2013

 

Abacus at Austin City Hall, photo by Norman Hera
photo by Norman Hera

Line QualityOn view on the third floor of Austin City Hall from February 2013 through January 2014 as part of the People’s Gallery Exhibition are the four pipe sculptures Line Quality and Abacus. If you find a little rolled up piece of paper with a pink ribbon around it next to Abacus, feel free to take it as a gift.

During Art City Austin by Art Alliance Austin on April 13, I did a live drawing piece that was up for a moment.

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